Modern Theatre Essay Example | Topics and Well Written Essays - 2000 words

Modern Theatre - Essay ExampleBy the same token, evolutionist historians have also privileged those plays which most nearly adjust to this overarching narrative about the demise f melodrama and the all-conquering triumph f realism. Tom Robertsons cup-and-saucer dramas and the cordial goodheartedness (Jenkins 1991) f Arthur Wing Pineros farcical protagonists, for example, represent two important re-create posts on this Whiggish journey.In passing, its interesting to note an unacknowledged separation f mental representation spheres in these arguments. Although it is women who are usually portrayed as the heroes f managerial reform, slowly transforming dirty, communal playhouses into elegant, comfortable, quasidomestic arenas, the credit for dramatic reform has invariably been attributed to male playwrights.Several consequences arise from this evolutionist history. First, the rise f realism thesis portrays the theatre f the late eighties and 1890s as a beacon f dramatic light, at the end f the dark tunnel f institutional decadence and theatrical unrespectability. Not only does this entail a strategic and rather narrow selection f the theatrical record, but, at least as importantly, fin-de-siecle drama and theatrical institutions have acquired the status f self-fulfilling prophecies. In other words, the theatre f the 1890s tends to be valued in direct proportion to its difference from -- and sarcastic critiques of-capital of Seychellesn drama rather than in terms f its intricate and complex relationships to earlier conventions and dramatic traditions. Michael Bakers The Rise f the Victorian Actor (1978) and Anthony Jenkins history, The Making f Victorian Drama (1991) are two influential and distinguished examples f this evolutionist approach. Bakers work traces the gradual emergence f playacting as a craft in the nineteenth century. In general, he writes, the actor f 1830 was a social and artistic outcast and the theatre an outlawed sector f privy enterprise (Baker 1978) by the 1880s, however, the actor had finally arrived in Victorian society. The rise f journalism and the new status f the man f letters contributed to the grounding f new middlebrow audiences, whilst the emergence f a mass market leisure industry helped to provide a solid framework for the gentrification f the acting profession.For Anthony Jenkins, Victorian theatre can be construed in terms f the eventual liberation f drama from the tyranny f a popular, thoughtlessly public. The attempt to rescue British Drama from the theatres rowdy spectacle, he declares at the opening f his first chapter (pointedly entitled, Breaking through the darkness), began a few months before Princess Victoria became Queen. In Victorias reign, Jenkins locates the gradual emergence f a serious drama whose genealogy can be traced in the plays f Edward Bulwer Lytton, Tom Robertson, William Gilbert, and Henry Arthur Jones its apex is represented by George Bernard Shaws final conversion f the Vi ctorian theatres sideshow into a momentous sacred